THE 350 Play Analysis: Getting started

A powerful new play by rising star Dominique Morisseau, set against the race riots that ravaged the city of Detroit in 1967.

This edition of Doctor Faustus features annotated versions, with modernized spelling and punctuation, of the 1604 A-text and the 1592 text of Marlowe's source, the English Faust Book --a translation of the best-selling Historia von Johann Fausten published in Frankfurt in 1587, which recounts the strange story of Doctor John Faustus and his pact with the spirit Mephistopheles. David Wootton's Introduction charts Marlowe's brief, meteoric career; the delicate social and political climate in which Doctor Faustus was staged and the vexed question of the religious sensibilities to which it may have catered; the interpretive significance of variations between the A and B texts; and the shrewd and subversive uses to which Marlowe put the English Faust Book in crafting, according to Wootton, a drama in which orthodox Christian teaching triumphed, but in which Faustus has all the best lines.

Oedipus Tyrannus by the great tragedian Sophocles is one of the most famous works of ancient Greek literature. The play has always been admired for the tight unity of its plot; every bit of every scene counts towards the dramatic effect. The action is concentrated into a single day in Oedipus'life; his heinous crimes of unwittingly killing his father and marrying his mother all lie long ago in the past, and now, in the action of this one day, there awaits for him only the discovery of the truth.Oedipus is portrayed as a noble king, deeply devoted to his people and they to him. Proud of his earlier defeat of the Sphinx, he is determined to save his city once again, and he unflinchingly pursues the truth of who he is and what he has done, unaware that it will bring him to disaster. Thespectators, familiar with Oedipus' story, wait in horrified suspense for that terrible moment of realisation to arrive. And when it does, Oedipus survives it: he takes full responsibility for what he has done, accepts the grief and the pain, and carries on, remaining indomitable to the end.Sophocles gives no answer as to why Oedipus is made to suffer his tragic fate. He simply shows us how human life is; how even a great and good man can be brought to the utmost misery through no fault of his own. The gods may, for no apparent reason, deal out unbelievable suffering, but humankind cansurvive it.Jenny March's new facing-page translation brings alive the power and complexities of Sophocles' writing, with a substantial introduction and a detailed commentary.

A king tries in vain to avert a horrific fate in this epic tragedy, widely considered a masterpiece. Oedipus was warned that his destiny is for him to kill his father and marry his mother. So he fled his home and has now become the king of Thebes, taking the throne after the death of its previous occupant, Laius, and marrying his widow, Jocasta. But just as Laius long ago labored to defy a prophecy and ultimately failed, so will Oedipus, in this masterpiece by the great tragedian of ancient Greece.

Oedipus Rex is the greatest of the Greek tragedies, a profound meditation on the human condition. The story of the mythological king, who is doomed to kill his father and marry his mother, has resonated in world culture for almost 2,500 years. But Sophocles' drama as originally performed was much more than a great story-it was a superb poetic script and exciting theatrical experience. The actors spoke in pulsing rhythms with hypnotic forward momentum, making it hard for audiences to look away. Interspersed among the verbal rants and duels were energetic songs performed by the chorus. David Mulroy's brilliant verse translation of Oedipus Rex recaptures the aesthetic power of Sophocles' masterpiece while also achieving a highly accurate translation in clear, contemporary English. Speeches are rendered with the same kind of regular iambic rhythm that gave the Sophoclean originals their drive. The choral parts are translated as fluid rhymed songs. Mulroy also supplies an introduction, notes, and appendixes to provide helpful context for general readers and students.

'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at VersaillesThis volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Womenhis last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles.Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.